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Home truths
Author Martyn Waites makes no apologies for setting his gritty novels in his home city of Newcastle.
The actor turned thriller writer talks to Steve Pratt about his love of the North-East, his T-shirt collection and about going to prison
AUTHOR Martyn Waites was excited
about the idea for his latest novel. He'd
created a Get Carter tour around the
North-East sites featured in the Michael
Caine gangster movie and written it into
the book.
"I was so thrilled I'd thought of this idea. Then I
phoned a mate and said how excited I was - and he
said you mean like the tour that happens in
Gateshead?'. I was furious that someone was actually
doing it," says the Newcastle-born and bred
actor turned writer.
It's to be hoped that events depicted in his latest
thriller novel, White Riot, don't come to pass in his
home city, as the story discovers Newcastle on the
brink of race disturbances organised by a criminal
group for their own evil ends.
The book is the latest in the Joe Donovan series
about a troubled investigative journalist trying to
find his lost son and solve the complex cases that
come his way.
Waites makes no excuse for setting the stories in
a place he knows well. After several previous novels,
his publishers were keen for a series set in
Newcastle.
"It's where I'm from, although I don't live there
now," he says. "In the same way that Ian Rankin has
Edinburgh and John Harvey has Nottingham, I
wanted to claim Newcastle. That was the thinking."
Not living there any more - he lives with his wife
and children in Hertfordshire - makes it easier to
write about, he feels. "I do come up to Newcastle
quite regularly and have contacts there. I just have
to ask what's changed and what's happening.
"I get squired about when I go back, usually ending
up crawling around the pubs. If I'm putting
somewhere in my books I try to be
accurate. A lot of the restaurants
and pubs and cafes I write about
are there. I can go in places like
The Cluny and sit and watch."
The West End of Newcastle
tends to crop up quite a bit in his
work because that's where he's
from.
"If you want to write about Newcastle
honestly, you have to say it's
not the same as it used to be. There
are very easy stereotypes you can
fall into in portraying the North-
East if you don't know it, flat caps
and ex-miners which it isn't any
more. It's very much a 21st Century
city now, possibly more so than
a lot of others in Britain.
"When I was growing up, it felt
like you were cut off from the rest
of the country. It wasn't Scotland, it wasn't England,
it was Newcastle. It's opened up so much more
now, in theory you can get to London in three hours.
It's not so cut off from the rest of the world now.
"If you portray it in any work, novel or television,
you have to reflect it honestly."
Occasionally, as with the Get Carter tour, you can
get pipped to the post. But he's not been afraid to
shy away from hot topics, be it real events like the
miners' strike, the Mary Bell case or developer
T Dan Smith.
"With crime novels, you're uniquely placed to explore
social issues. You're taking the cultural temperature
of society, usually by what crimes happen
and the judiciary's reaction to them.
"If you're writing a contemporary crime novel,
you send them into a world that, hopefully, your
readers will recognise. You have to look at race,
drugs, sex traffic, immigration. It's not about issues,
it's something that's intrinsic because it's about
people."
Waites has moved from actor/writer to
writer/actor as his books have occupied more and
more of his time. He went to drama school, working
as an actor for ten or 11 years before his first
book Mary's Prayer, a gangland thriller set in the
North-East, was published a decade ago.
"I only realised in hindsight how much I wanted
to write," he says. "When I got a script, the other
actors would see how big their part was and I would
look at the structure of the play. I was looking at it
more from a writer's perspective.
"I thought that if I was an actor and going to
write, I was going to write plays. But I wrote two
god-awful plays and thought that's not for me'."
The turning point came after being "quite handsomely"
paid for a couple of BT commercials which
gave him the financial security of not having to
look for acting work. He sat down and wrote Mary's
Prayer. Two more in the Stephen Larkin series
followed.
They were followed by Born
Under Punches, based around the
miners' strike and its legacy, and
The White Room, set in 1960s Newcastle
and based on the life of preteen
child killer Mary Bell.
The theme running through his
Joe Donovan is of a man looking
for his son and how he puts together
a surrogate family that becomes
the Albion detective agency.
So is he Donovan? "Because I
write it, I suppose I'm everyone,"
replies Waites. "People have said
you're Joe Donovan' but I'm everyone
because they all come from me.
"Donovan, I suppose, is an idealised
version of me. He has my
taste in music and books and a Tshirt
collection which is like mine.
I've just bought another comic
book T-shirt, I can justify them as expenses on my
tax return.
"There have been a couple of instances where
people have told me things and I wondered how I
could spin them out in a book. I would never take
anyone's life wholesale and stick it in because it's
disrespectful for one thing."
His work in prisons has helped his writing indirectly.
He's held two writing residencies, one at a
young offenders' institution and the other at HMP
Chelmsford. The work he's done in prisons has informed
the books.
He went inside by accident. A friend suggested
he should apply to be a writer-in-residence in prison
after recalling that he'd worked with young ex-offenders
as an actor.
The experience behind bars made a lasting impression.
"Prison is such a polarising experience.
You're either up or you're down, nothing in between,"
he says.
"And it's absolutely exhausting working there. I
was so physically drained afterwards I couldn't do
anything for a couple of months. But working with
prisoners, especially young offenders, there's the
opportunity to turn someone's life around."
He's currently working on a literary fellowship
at Essex University. "It sounds different but isn't a
million miles away from what I was doing in prison,
except some of the students don't turn up in university
and they don't have that luxury in prison,"
he says.
Acting takes a back seat these days, although he
and fellow actor Bob Horwell, currently appearing
in Coronation Street, made a short trailer for White
Riot which they posted on You Tube. Former Bill
actor Mark Wingett plays Donovan. Only Waites'
voice is heard.
"I didn't realise how much I'd missed acting until
I did that. I just thought the trailer would be a good
way of selling the book, a marketing tool to get people
excited about it."
It could act as a calling card for adapting his novels
for TV or film. "When Bob finishes Coronation
Street we're going to do a little touting around and
say this is what we do with virtually no money, give
us a bigger budget and we'll show you what we can
do'. You make your own luck, I believe," he says.
The only acting he's done of late is recording
audio books of his novels. But he does harbour one
ambition - to play the villain in panto again.
"Which isn't a very king of noir thing to say," he
admits.
* White Riot is published by Pocket Books,
£6.99.
10:01am Saturday 26th January 2008
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